Postmodern critics and artists within the 1970s and after developed new approaches to the history of traditional art forms. Rosalind Krauss in “The Originality of the Avant-Garde” argues that modernists and avant-garde artists imagine that they make themselves the model new origin of the art form as they constantly uncover its important situations. Such modernist artists regularly rediscover a couple of prominent automatisms, forms Art & Media of repetition, as in the occasion that they had been the essence of portray and their discovery were an act of inventive originality. Krauss argues that rather than uncover the important materials situations …